Work in Progress takes a heartfelt new perspective that pushes the conversation of representation in very exciting ways. Showtime’s latest additions The L Word: Generation Q and Work in Progress represent two illuminating turns in conversation: The L Word reboot reflects on its own legacy as a landmark series for queer lives on television and tries to build from it. We must be reaching a change in how we create and critique queer representation in media. Wayne’s World is easily the best movie to come out of Saturday Night Live, and frankly, we’re not worthy.Abby McEnany’s autobiographical Showtime series is a wry, funny, deeply queer breath of fresh air. Wayne’s World is a clever evolution for this world and these characters, centered around two lovely performances by Myers and Carvey, in a movie that single-handedly brought “Bohemian Rhapsody” back into the public consciousness. These two are great separate, with Garth’s puppy dog attitude, and Wayne’s inherent charm working on their own, but together, this bond is impossible not to love. There are entire scenes that aren’t integral to the plot of the film, but only exist to show the bond these two share. Wayne’s World is also extremely endearing because of how much time is spent focusing on the genuinely sweet friendship between Wayne and Garth. In this expansion of this concept, Wayne’s World never feels like a regurgitation of frequently told jokes. By focusing on the expansion of Wayne and Garth’s show Wayne’s World, this pair can poke fun of the idea of taking a small operation and making it into something bigger than they could’ve ever imagined. For better or worse, Wayne’s World would become the template for so many comedies of the time, and for SNL films in particular.īut Wayne’s World is the most successful SNL film because of how smartly Myers expands this world. As the most successful SNL film, Wayne’s World became deceptively influential, not only leading the way for a string of Saturday Night Live movies, but also in making Mike Myers one of the biggest comedy stars of the 80s and early 2000s, as well as set the table for future SNL actors to make their own star-making movies, like Tommy Boy and Billy Madison. Wayne’s World is hands down the best Saturday Night Live movie, an expansion of two extremely likable characters in a story that never relies too heavily on the jokes we’ve already seen countless times on SNL. By placing Stuart Smalley into more of a dramedy, Stuart Saves His Family becomes one of the most unique and structurally interesting of all these films. This doesn’t go for easy answers or solutions, and by the end, Stuart has only made his family more muddled and confused, but that’s sort of the beauty of what Stuart Saves His Family is attempting. This is an SNL film where the climax is a failed intervention. Stuart Saves His Family is a candid and warm film in which Franken tackles how family can affect moving forward in life, how building one’s own family can be essential to finding happiness, the difficulties of alcoholism, amongst many other topics. It’s an extremely smart way to tackle this relatively basic character, that makes this structurally completely different from what one expects with SNL films. But worst of all, Blues Brothers 2000 completely ignores the manic energy and insanity that made The Blues Brothers such an enduring classic, instead, turning this sequel into an unusual revision of the first film, but in a way that’s more suitable for kids.Īl Franken’s Stuart Smalley is all about recovery, and Stuart Saves His Family almost takes the phrase, “God, grant me the serenity to accept the things I cannot change, courage to change the things I can, and wisdom to know the difference,” and builds an entire film around this concept. Blues Brothers 2000 makes strange choices like recreating scenes from the original, focusing far too much on the supporting Blues Brothers Band, the members of which can’t really act, or having Erykah Badu play an 130-year-old cannibal voodoo witch who turns the band into zombies. Evan Bonifant) and John Goodman’s “Mighty” Mack. Also, why make a movie called Blues Brothers 2000 and release it in 1998? Semantics aside, Blues Brothers 2000 is a deeply weird movie, one where Elwood Blues ( Dan Aykroyd) quickly moves on from the death of his brother to add a child to the group with Buster Blues ( J. Right out the gate, Blues Brothers 2000 is a weird idea, considering that one of the two Blues brothers-Jake Elwood ( John Belushi)-died years before the making of this film.
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